Stevie - In the Studio with Redbeard (July 2011)
I remember exactly what it was like to be 20. I mean, I was a cleaning lady, I was a waitress. I had problems… I mean, Lindsey and me together trying to figure out how we’re going to make it in the music business. And this is the only thing that either of us wanted to do. And what if we didn’t we make it? I had to go to school. And he didn’t so that, y’know, he had all this time. I didn’t have much time. I mean I was I was an emotional wreck at 20. Oh, yeah. I was an emotional wreck at 18 because that’s when I started singing in a band with Lindsey and we played three and a half solid years up and down the San Francisco peninsula and opened for all the big huge bands in that special moment in time that was Haight-Ashbury and San Francisco. Where everybody came. And so I got to stand and watch from the side of the stage. Everybody. You name ‘em, we opened the show for ‘em. So I got like first hand experience, it’s the only reason I was able to walk into Fleetwood Mac without having a nervous breakdown. And walk out center front stage to the center mic and not just, y’know, collapse and faint, because I had already played in front of 75,000 people. Standing in the middle of the stage as lead singer.
It was a big adjustment and a lot to take. I was very young. Well, I wasn’t very young, I was 27, but I felt very young and it was like it was overnight, overnight, hugely successful. And it was hard for my little brain to accept that kind of fame that fast. And to go from being that poor and having all these little jobs that I had because Lindsey didn’t know how to do anything else except play music, and I could do anything. And did, to keep us going so that we could do it. Because at that time I had realized that we were going to make it if it killed me. And, y’know, working solidly to getting the Buckingham/Nicks deal and doing that record and having that record dropped and being just crushed. Because it’s one thing to be working towards it, and another to go into a big studio with a big producer and do a big record with all the 24 track board and everything and having the taste of the big time. And then be just be dropped like a hot potato, and go back to wondering if I should go back to school or if I should just work and let Lindsey pursue the music career. And I should just step out.
Because by that time [when Buckingham Nicks was dropped] I was to the point where… You know, I’m very loyal and I certainly was Lindsey’s biggest fan and I thought he was the greatest guitar player in the world and had the most beautiful voice. He’s one of those people that I walked into the room once and he sat there and played a song and it was room’s on fire. He’s one of those. He’s one of those men.
And whatever I had to do to keep him going was okay because it was more important to me that Lindsey make it than it was that I made it. Because I knew that I could do a hundred other things and no one could ever take my music away from me. I could still write songs and play and I could take my music in whatever I did. I would be fine; I knew that.
I worried about him. I didn’t know what he would do and because I was so in love with him there wasn’t any - there was no question. There was never a question in my mind that I would stick in there until, if we didn’t both make it, at least I got him up there. And when you love somebody and you see the pain in their face when they even consider the fact that you might not make it, it’s like “don’t even consider the fact that we’re not going to make it; we are”. And in my heart I’m saying to myself “If I have to, y'know, if I have to comb this town, I will find somebody to listen to us, that we understand how good we are, that will at least know how good he is.