The cover of the new Say You Will has Lindsey Buckingham and Stevie Nicks lying prostrate, facing opposite directions with feet spilling off the top and bottom of the shot, in a visual nod to the iconic final image of Masahiro Shinoda’s Double Suicide. Does it seem pretentious for a band whose biggest radio hit is still the sunny "Don’t Stop Thinking About Tomorrow" to draw parallels to the doomed lovers in a classic of Japanese cinema? It shouldn’t because no pop act exemplifies the rock-band-as-suicide-pact so perfectly as Fleetwood Mac. Buckingham and Nicks must glance across the stage at each other night after night, thinking over their years as lovers, as enemies and as mutually-indifferent playthings of fate, and pondering, with alternate bemusement and fury, the full and terrifying implications of the phrase "till death do us part."

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