Q. Two of the four tunes really struck me. One is your ballad “It Takes Time,” which feels like a very honest look back at the band and your relationship with Stevie.

A. It is. It’s probably fair to say a lot of what she’s done on her own and a lot of what I’ve done on my own and to some degree what we’ve done within the context of the band has been — at a distance — to prove something to each other, even though we haven’t been together for years and years.

Q. And her song “Without You,” was actually written back when you were together and sounds of a piece with your early work with the group. The two songs feel like bookends of a kind.

A. Well yes, because [hers] is, on a subject matter level and even on a stylistic level, very innocent and naïve in a way, and maybe not even fully formed in terms of the place we got to. But more importantly, it’s very idealistic and full of illusion, and we need our illusions. But later on you have to grow and come to grips. Mine was written at a time where instead of all this being before us, it’s more or less behind us and in a very appropriate way all of those illusions have been cast aside.

Q. What does your wife think about the fact that you’re still writing songs about Stevie Nicks?

A. That’s a good question. She’s secure enough, and knows who she is and knows who we are enough, to be philosophical about it and to be able to separate the professional side of my life, and the role that I might be playing at this point, from the reality.

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