Q: What did you think when Bill Clinton adopted ``Don't Stop'' as a campaign song and the band wound up playing at his Inaugural Ball?

A: My reaction wasn't as strong as other people in the band. I know Stevie always portrays it as such a flattering thing to happen. I thought it was ironic. At the time, because Clinton was openly aligning himself with rock 'n' roll, because he was of that generation and was probably the first candidate for president to do that, implied that there might be something significant about it. In retrospect, even though it was flattering to be asked, I don't think it signified too much. The event was, uh, interesting. It was a showbiz event. It was very quick. We went in, rehearsed and did the song and actually never met Clinton. He came up onstage while we were still playing. He tried to shake my hand, but I was playing guitar.

Q: Everybody in the band looks pretty clean and sober these days.

A: This is one of the things that is probably making it more pleasurable than it ever was when I was with the band those 12 years. If you talk about the ``Tango in the Night'' album, the reason I didn't do that tour was because the album took about 10 months and it was such an uncreative atmosphere. You take that on the road and it multiplies times 10.

That album was a very producerly album because I was trying to compensate for the lack of real interaction that was going on, which was directly attributable to the way everyone was conducting their lives. That's why I split. In the meantime, luckily, everyone kind of went through their own journeys and came out the other end. There is a real joy to be able to get up and react to each other and appreciate the whole being greater than the sum of the parts, just the chemistry of the group.

Q: Chemistry was always a big part of Fleetwood Mac, wasn't it?

A: Yeah, from it being two couples on down. But that same chemistry made it that much more convoluted and was forcing us all to live in a certain amount of denial for all those years and get on with our creative processes the best we could in a situation that was clearly a bit dysfunctional.

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